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CHRM-MID◆Midnight Editorial
AtmosphereSartorial Silence
Accent—
Surface—
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A material study / 059

Mogok Ruby

Ruby lacquer, saffron silk & teak.

July’s birthstone, sampled from Mogok in Myanmar, the valley famed for fine rubies: deep red stone in white marble, gold leaf, red lacquerware, teak and saffron silk.

Explore the palette

6 colors / 3 material notes / An authored interpretation

A pale oak specimen tray holding a ruby crystal in white marble, a polished red ruby, small rough rubies, white marble, gold leaf, red and black lacquerware, a slice of teak, saffron silk, a jasmine flower and a brass loupe.Study 059 / The room
Plate 059 / Material & memory
Open your Cabinet

01 / The palette

Six colors, one atmosphere.

Screen colors are authored interpretations. Material photographs show surface character; they are not calibrated color samples.

02 / Play with the composition

Red, gold and candlelight.

A ruby-red lacquer room works by candlelight, when gold and saffron catch the flame. Keep the teak table and chairs warm and plain, and let the brightest ruby red sit on small things: a bowl, a glass, a cushion.

A dining room with deep ruby-red lacquer walls, a long teak table with saffron silk chairs, a white marble sideboard, gilt candlesticks with lit candles and white jasmine flowers.
Live pattern & proportion study

Palette proportions / Total 100%

Surface finish

Starting points

The finish, shadow depth and palette proportions respond to your settings. The room image is a fixed interpretation.

Surface finish: Luminous · Shadow depth: 35% · White Marble: 25%; Gold Leaf: 8%; Saffron Silk: 15%; Teak: 20%; Burmese Lacquer: 12%; Mogok Ruby: 20%

03 / Translate

From a room to an interface.

The room
A dining room with deep ruby-red lacquer walls, a long teak table with saffron silk chairs, a white marble sideboard, gilt candlesticks with lit candles and white jasmine flowers.

The interface

MOGOK RUBY

Objects, rooms & materials

Red, gold and candlelight.

July’s birthstone, sampled from Mogok in Myanmar, the valley famed for fine rubies: deep red stone in white marble, gold leaf, red lacquerware, teak and saffron silk.

A pale oak specimen tray holding a ruby crystal in white marble, a polished red ruby, small rough rubies, white marble, gold leaf, red and black lacquerware, a slice of teak, saffron silk, a jasmine flower and a brass loupe.

The same palette. Different roles.

A working reference

Use this palette.

A suggested interface use of the study’s paper and accent. Supporting ink is added for legibility; original palette values stay intact.

Surface #E5E5E6Supporting ink #171615Accent #69212C
Inspect application CSS
/* Sourced from Chromologium (https://chromologium.com/studies/mogok-ruby) */
/* Suggested application roles; original palette preserved separately. */
:root {
  --study-surface: #E5E5E6;
  --study-ink: #171615;
  --study-accent: #69212C;
  --study-accent-ink: #ffffff;
  --study-original-1: #E5E5E6; /* White Marble */
  --study-original-2: #BB9C66; /* Gold Leaf */
  --study-original-3: #CD9536; /* Saffron Silk */
  --study-original-4: #85512D; /* Teak */
  --study-original-5: #8E2618; /* Burmese Lacquer */
  --study-original-6: #69212C; /* Mogok Ruby */
}
Keep exploring

Follow the material further.

Materials

The ingredients.

A red ruby crystal set in white marble matrix on undyed linen.
RubyRed corundum, coloured by trace chromium.
Dark warm teak with flowing grain, open pores, subtle wear and a softly oiled sheen.
TeakWarm wood for a long dining table.
Overlapping gold leaf with wrinkled edges, bright highlights and ochre creases.
Gold leafGilt candlesticks and a mirror to hold the light.

An imagined setting.
A contemporary interpretation,
with references kept beside the study.

View sources & interpretation →

Take away

Take the study with you.

Download swatches

Sources & interpretation

An imagined lacquer dining room and specimen tray inspired by Mogok. Stone facts are from GIA; the room is not a record of a real place, and the colours were sampled from the generated specimen drawer. This study makes no claims about healing or other properties of the stone.

The palette follows the authored material references in this collection. Room, object and material imagery were created for this study. These are imagined settings, with no affiliation to the fictional interface brands.

The controls explore screen composition, not physical pigment recipes or material measurements. Image rights · Image permissions

Further reading

About this study

The palette, the materials, and what you can take away.

In this section

4 questions