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CHRM-MID◆Midnight Editorial
AtmosphereSartorial Silence
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A material study / 075

Pisces: The February Hearth

Chantilly · Snow wool, blue enamel & smoked oak.

February’s snowbound farm in the Très Riches Heures opens a late-winter palette. White wool and grey felt hold the cold light; blue enamel, hay and smoked wood bring warmth into an imagined farmhouse room.

Explore the palette

6 colors / 3 material notes / An authored interpretation

Ten-compartment seasonal material tray for Pisces, with snow wool, grey felt, blue enamel, hay, smoked oak, slate wool and supporting specimens.Study 075 / The room
Plate 075 / Material & memory
Open your Cabinet

01 / The palette

Six colors, one atmosphere.

Screen colors are authored interpretations. Material photographs show surface character; they are not calibrated color samples.

02 / Play with the composition

Give the ground room, then place the accent.

Adjust the six colour areas in a screen composition. The illustrated room keeps its original materials and light.

Imagined warm farmhouse room overlooking snow, using snow wool, grey felt, blue enamel, hay, smoked oak, slate wool as a seasonal material palette.
Live pattern & proportion study

Palette proportions / Total 100%

Starting points

An editable screen composition; the room remains a fixed imagined reference.

Snow Wool: 30%; Grey Felt: 15%; Blue Enamel: 10%; Hay: 10%; Smoked Oak: 20%; Slate Wool: 15%

The source / Art history

A month above the scene.

The Limbourg brothers painted February in 1411–1416. Its snow-covered farm and figures warming by a fire sit below the Sun’s passage from Aquarius into Pisces. Wool, felt, birch, hay and smoked wood translate the seasonal contrast. The blue enamel cup and the imagined interior are modern material choices, not documented objects from the manuscript.

Château de Chantilly · February, folio 2 verso ↗

Read the holding institution’s record. No museum photograph or manuscript scan is reproduced here.

Nine-compartment seasonal specimen drawer with snow wool, grey felt, blue enamel, hay, smoked oak, slate wool and supporting materials.
Palette source / Six colours sampled from this contemporary specimen drawer.

The calendar / Computed

The dates, in two frames.

Tropical

–

Exact UTC ingresses

Enters: 2026-02-18 15:43 UTC
Next sign: 2026-03-20 14:37 UTC

Sidereal · Lahiri

–

Exact UTC ingresses

Enters: 2026-03-14 19:22 UTC
Next sign: 2026-04-14 03:52 UTC

Intervals include the entry and exclude the next boundary. Sidereal offset at ingress: 24.2231° (Lahiri). Sign transitions are refined to one minute. Refinement is computational resolution, not a claim of observational accuracy. Local calendar dates may differ from UTC.

Calculation source and version

Lunologium source revision 4d4d8ecc · astronomy-engine 2.1.19. Generated reference for 2026–2028; year labels identify the year of entry, so a Capricorn interval continues into the next January.

Take away / A constellation card

Pisces, point by point.

Pisces constellation reference cardBright Star Catalogue J2000 positions, stars brighter than magnitude 4.5. North up and east left. Original editorial connecting lines; not a live observing or navigation chart.{"source":"https://heasarc.gsfc.nasa.gov/W3Browse/star-catalog/bsc5p.html","terms":"https://heasarc.gsfc.nasa.gov/docs/heasarc/data_policy.html","catalogue":"Hoffleit, D., & Warren, W. H., Jr. (1991). Bright Star Catalogue, 5th revised edition (preliminary). HEASARC BSC5P.","epoch":"J2000.0","lines":[[8852,8916],[8916,8969],[8969,8852],[8969,9072],[9072,224],[224,294],[294,596],[596,489],[489,510],[510,437]],"publicationCredit":"The Chromologium"}PiscesN ↑ · E ← · J2000.030 Psc · HR 9089 · magnitude 4.41113Alp Psc · HR 596 · magnitude 4.336Gam Psc · HR 8852 · magnitude 3.69106Nu Psc · HR 489 · magnitude 4.4417Iot Psc · HR 8969 · magnitude 4.1310The Psc · HR 8916 · magnitude 4.2828Ome Psc · HR 9072 · magnitude 4.0163Del Psc · HR 224 · magnitude 4.4371Eps Psc · HR 294 · magnitude 4.28110Omi Psc · HR 510 · magnitude 4.2699Eta Psc · HR 437 · magnitude 3.62BRIGHT STAR CATALOGUE · HEASARC · MAG < 4.5Original editorial line list · catalogue positions, not an observing forecastchromologium.com/studies/pisces · Data terms: heasarc.gsfc.nasa.gov/docs/heasarc/data_policy.html

This chart uses numerical star data supplied by HEASARC, a service of the Astrophysics Science Division at NASA/GSFC. Hoffleit & Warren, Bright Star Catalogue (1991) · Data-use terms.

North up, east left. Relative visual magnitude controls dot size. Positions use J2000.0 and a local projection with a cosine correction. The connecting lines were authored for this card; constellation boundaries and the Sun’s current position are not drawn. Print on A4 or Letter in portrait orientation.

Read the star coordinates
Pisces star positions · J2000.0 · degrees
StarHRRight ascensionDeclination
30 Psc90890.49-6.0142
113Alp Psc59630.51172.7636
6Gam Psc8852349.29133.2822
106Nu Psc48925.35795.4875
17Iot Psc8969354.98755.6264
10The Psc8916351.99216.3789
28Ome Psc9072359.82796.8633
63Del Psc22412.17087.585
71Eps Psc29415.73587.89
110Omi Psc51026.34839.1578
99Eta Psc43722.870815.3458

Tradition / Historical classification

A note on the tradition.

In the traditional classification recorded by Lunologium, Pisces is mutable water, with Jupiter as its traditional ruler. These are cultural categories, separate from the computed solar position and the colours sampled for this study.

03 / Translate

From a room to an interface.

The room / imagined interior
Imagined warm farmhouse room overlooking snow, using snow wool, grey felt, blue enamel, hay, smoked oak, slate wool as a seasonal material palette.

The interface

PISCES

Objects, rooms & materials

The February Hearth

February’s snowbound farm in the Très Riches Heures opens a late-winter palette. White wool and grey felt hold the cold light; blue enamel, hay and smoked wood bring warmth into an imagined farmhouse room.

Imagined warm farmhouse room overlooking snow, using snow wool, grey felt, blue enamel, hay, smoked oak, slate wool as a seasonal material palette.

The same palette. Different roles.

A working reference

Use this palette.

A suggested interface use of the study’s paper and accent. Supporting ink is added for legibility; original palette values stay intact.

Surface #D9D1C3Supporting ink #171615Accent #151C64
Inspect application CSS
/* Sourced from Chromologium (https://chromologium.com/studies/pisces) */
/* Suggested application roles; original palette preserved separately. */
:root {
  --study-surface: #D9D1C3;
  --study-ink: #171615;
  --study-accent: #151C64;
  --study-accent-ink: #ffffff;
  --study-original-1: #D9D1C3; /* Snow Wool */
  --study-original-2: #7C7D82; /* Grey Felt */
  --study-original-3: #151C64; /* Blue Enamel */
  --study-original-4: #8F6F44; /* Hay */
  --study-original-5: #563E32; /* Smoked Oak */
  --study-original-6: #424F64; /* Slate Wool */
}
Keep exploring

Follow the material further.

Materials

The ingredients.

Snow Wool, a close detail from the pisces specimen drawer.
Snow WoolA material reference from the pisces specimen drawer.
Blue Enamel, a close detail from the pisces specimen drawer.
Blue EnamelA material reference from the pisces specimen drawer.
Smoked Oak, a close detail from the pisces specimen drawer.
Smoked OakA material reference from the pisces specimen drawer.

An imagined setting.
A contemporary interpretation,
with references kept beside the study.

View sources & interpretation →

Take away

Take the study with you.

Download swatches

Sources & interpretation

A contemporary material tray and imagined warm farmhouse room overlooking snow, informed by a linked historical source. The six screen colours were sampled from this study’s specimen drawer; they are not measured historical pigments.

The palette follows the authored material references in this collection. Room, object and material imagery were created for this study. These are imagined settings, with no affiliation to the fictional interface brands.

The controls explore screen composition, not physical pigment recipes or material measurements. Image rights · Image permissions

Further reading

About this study

The palette, the materials, and what you can take away.

In this section

2 questions